A powerful debut novel that's "hilarious, heartbreaking, and ass-kicking" (Jamie Ford), of a Puerto Rican family in Staten Island who discovers their long‑missing sister is potentially alive and cast on a reality TV show, and they set out to bring her home.
Sexual assault of minor, bullying.
The Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman’s hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time?
The years since Ruthy’s disappearance haven’t been easy on the Ramirez family. It’s 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store.
After seeing maybe‑Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long‑lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future—with or without Ruthy in it.
What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love.
Don't just take our word for it...
“There’s a delightfully subversive and maverick quality to the way first-time novelist Jiménez gives her characters the freedom to tell the truth as they see it … Jiménez brings bravery to the page, and it’s her strong storytelling and humor that make this an outstanding debut.”
– Kirkus (starred review)
“At turns desperate and witty, fresh and familiar, Jiménez’s debut taps into universal themes of familial relationships and shines a light on the lasting intergenerational effects of colonialism, violence, racism and tradition.”
– Ms. Magazine
“If true crime is your guilty pleasure, you absolutely must find out what happened to Ruthy Ramirez…. Compelling…”
– Associated Press
Taste the very first page
If you drew a map of our family history, you might start it off with my dad, young, fat, and handsome, eighteen-year-old Eddie Ramirez, plotting to get with my moms, who was dark-skinned, small and freckled, long black curly hair. Freshly turned seventeen. Her name is Dolores. And you can probably start it off in Brooklyn. Canarsie. Draw a bump underneath my mother’s wedding dress— that’s Jessica. Then shortly after, in 1981, you can make Jessica a separate person, angry and red, pale-skinned like my dad, screaming in my mother’s arms. Two years later draw Ruthy in pencil, lightly, because you’re going to need to erase her in a couple of minutes. Now, draw the Verrazano, the water, the Island, the dump. Draw my proud family, Puerto Rican and loud, driving over the bridge and a little pink town house in West Brighton. I’m the one born in 1986, in Staten Island. They named me Nina. Make me look cute. The five of us seem normal for a while, up until Ruthy turns thirteen and disappears. Now you can rub her body away from the page. Draw my mother sixty-two pounds later. Give her diabetes. Kill my dad. Cut a hole in the middle of the timeline. Eliminate the canvas. Destroy any type of logic. There is no such thing now as a map.
Call that black hole, its negative space, the incredible disappearance of Ruthy Ramirez.
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